5. Style 5.3. Sensations
to trend towards softer or more abrasive language in order to reinforce that prevailing
sense of emotion. This is how dynamics inuence your details.
For the former gentle scene, a good line might be “You gently press your lips up against
hers, the warmth of her touch spreading across your face as she leans in to return the
gesture”. For the latter rough scene, “Your mouth latches onto hers as she tries to shove
you into a more submissive position, her lips grinding against yours as you struggle to
hold your ground”.
As you can see, the dynamic of a scene aects your word choice for describing sensations.
This applies to all ve senses, as well as your emotional sense. For example, some dynamics
would call for your partner’s scent to be described as ‘sweet‘, while others would call
for them to be described as ‘musky’. Sometimes a hug is a gentle and tender embrace
between lovers, other times it’s a crushing and frightening display of sexual aggression.
It all depends on the sort of tone you’re looking to set.
5.3.2. Pairing Sensations
Once you understand how to infuse your writing with good sensations that fall in line
with the dynamic between you and your partner, and the tone of a scene, you can take the
fun to the next level and begin pairing sensations together through the use of similes and
metaphors. You will most often use similes and metaphors for pairing other sensations
with the sense of touch. It is very easy to over-focus on your tactile senses when writing
smut, as it is easily the most prominent form of sensory input for intimacy unless another
sense is the focus of a fetish.
Thankfully, by pairing other senses with our descriptions of touch, you can quickly
break up any sort of monotony and make your writing quite vibrant. A classic one I like
to break out during the foreplay section of a scene is paying close attention to the sounds
your partner is making while the two of you are getting frisky. A simple “She hums
softly as her hands run across your shoulders and down your back, carefully assessing
the outlines of your skin” goes a very long way for making a scene pop. To infuse a simile
into that input, we can tack on something that works with our dynamic. In this case,
let’s say our dynamic is something gentle and romantic, so we’d make the input into
“She hums softly as her hands run across your shoulders and down your back, carefully
assessing the outlines of your skin as if you were a delicate puppy”. If your dynamic is a
bit rougher, you would change that simile to reect that.
The best part is that there are no limits on what you can pair and elaborate on with
sensations. When describing something less immediately tangible through text, such as
scents or sounds, this technique is especially handy. By mixing together dierent kinds of
prose, you can quickly elevate “She whispers into your ear” to “The sound of her loving
whispers mixed with soft moaning and panting against your ear is like being tenderly
spoon-fed warm honey”.
As long as you’re getting dierent senses to play o each other in interesting and
pleasing ways, you’re doing it right. This technique isn’t something that requires hours
of thought or tons of deep mystic training. Just ask yourself what sounds like a hot
complement to an already hot idea, and you’re on your way. Part of getting better at
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